Preorder Still Life with Work Boots today!
Title Releases on November 27, 2026

(My press run and royalty percentage rate depends on it!)

The poems in Richard Hedderman’s Still Life with Work Boots are dispatches from the numinous juncture of cognition and mythos, and from these haunted landscapes he hauls up scenes from the turbulent cycles of our current identity: a sardonic rumination on a common three-letter word swerves menacingly into an unnerving interrogation of the speaker’s loyalties, fragments of mangled speech evoke the disastrous withdrawal from Afghanistan, and a great horned owl preaches a bleak exhortation to its quavering acolytes under threatening skies blackened with rain. Yet Hedderman is quick to laud the minutiae from which we distill our survival: a solitary umbrella in a Kyoto tea house, the pearl buttons on a silk blouse, a white rose afloat in a glass of water. All leave their indelible imprint on the human terrain where we relentlessly struggle to confirm our own endurance. As the poet intones in “Repairing the Wind Chimes” If I could quiet them, yoke/these burnished columns of air. If I could/scuttle my wreckage and tie the winds together.

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A Poem for Ukraine

I’d been working on this poem for some time and getting nowhere with it. When the Russia/Ukraine war broke out, I learned that the sunflower is the national flower of Ukraine, and finally the poem found its purpose.